An interesting point was raised by Ron Van Lieu in class yesterday at The Actors Center. After offering some notes on a scene from “A Doll House,” the work started up again. After the second go around, Ron noted that the actress had taken his notes and veered straight into “character,” nearly forsaking the content of the “scene.” What she did was certainly entertaining, but it neglected something fundamental. Read more…
There’s a saying that in film you can choose two of the following three things: fast, cheap, and good, but you can’t have all three. That is, if it’s fast and cheap, it won’t be good, if it’s cheap and good, it won’t be fast, and if it’s good and fast, it won’t be cheap. In my experience, this has held up pretty well.
Now, perhaps it’s because of my newfound belief that anything is possible, but an idea for a film project came to me in the night that I thought might just be able to break this curse. But upon further reflection, it became clear that it wouldn’t be fast. Then upon further further reflection, it occurred to me that nothing in film is fast. An eternity can pass between the idea and the first viewing of even the fastest of the fast tracked projects. Read more…