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Posts Tagged ‘actor’

Dealing With Professional Jealousy

May 24th, 2011 No comments

A friend of mine booked a pilot this season, and the show was picked up. As a good self-promoting actor, he forwarded a trailer for the show. When I watched it, I thought, “Hey that’s terrific, I’m so happy for you… you fucking bastard.”

I know I’m not the only one who feels professional envy. Another friend once told me she can’t look at the trades because it made her sick to her stomach to read about other people getting deals. Ouch. But I get it, we all do. Read more…

Why Actors Should Take a Break

May 3rd, 2011 No comments
For years I never went on holiday. I was convinced of an immutable law that said that the moment I landed somewhere outside Los Angeles, New York or London the biggest gig of my life was going to present itself. In retrospect, perhaps the inverse was also true, that hanging out across the street from the studios with cell phone in hand meant that the big gig would never materialize.

As the years rolled by, I started to see the error of my strategy. (Not to mention that the years rolled by and I’d barely been north of Burbank). Operating in a state of total availability is nice in theory, but it comes at a heavy price, and ultimately does more harm than good. Read more…

The Ugliness of an Actors Desperation

April 19th, 2011 No comments

A wise man gave me some great advice when I was first starting out, words that I promptly ignored. “Don’t look too hungry,” he said. “If you look hungry, they’ll feed you McDonald’s. Wait for the steak.”

Desperation is a killer. It leads to unclear thinking, which leads to compromise and the de-valuing of ourselves, and eventually to poor choices in our career. “He who undervalues himself is justly undervalued by others,” wrote the literary critic William Hazlitt. Truer words were never spoken. Your career, in some measure, is what you think it should be. Read more…

Keeping the Career Wheel Turning

April 12th, 2011 No comments

We’ve all heard the metaphors about careers being a journey, or a road, or some kind of travel experience. But as important as the journey is the vehicle doing the journeying. If you’ll play along for a second, think of the vehicle as being a single wheel.

There are many aspects to an actor’s career – training, marketing, representation, appearance, industry knowledge, networking – and each one acts as a spoke of the wheel. The spokes need to be equal in length, and equal in strength. If one of them is too short, or too weak, the wheel stumbles, doesn’t turn, or outright falls apart. Read more…

The Size of an Actor’s Role

March 29th, 2011 No comments

There’s a recurring frustration in almost every actor’s life, and it has to do with the size and scope of his or her role in any given production. Background players want to have lines, day players want to be supporting actors, supporting actors want to be leads, and leads are often the most miserable of the bunch, for reasons only the Buddha can explain. 

It’s a dangerous trap, and one that I’ve fallen into many times. Rather than focusing on what can be done with the material at hand, we get distracted by wondering why we’re not playing a different role, or worrying that the role we accepted is somehow beneath us. Neither of which is helpful. Read more…

Why Actors Must Create Their Own Material

March 22nd, 2011 No comments

Actors have to create their own material. Not only is it the most likely way for us to get the parts we want, but the industry is expecting it now. Yes, there’s the old joke that “The good news is that now anybody can make movies. The bad news is that now anybody can make movies.” Read more…

“Stay Nervous”

March 9th, 2011 No comments

(Guest blog for ActorsAndCrew)

Most people are secretly in awe of actors. It’s true. Despite our narcissism, emotional instability, and poverty, people still admire those of us who stick our necks out in this strange and beautiful way. 

And these admirers often ask this question: “Don’t you get nervous?” Read more…

Cast in “Honey Brown Eyes”

December 11th, 2010 No comments

This was the first week of rehearsals on the play “Honey Brown Eyes.”  More info can be found here:

Read full article

Character vs. Scene

November 9th, 2010 No comments

An interesting point was raised by Ron Van Lieu in class yesterday at The Actors Center. After offering some notes on a scene from “A Doll House,” the work started up again. After the second go around, Ron noted that the actress had taken his notes and veered straight into “character,” nearly forsaking the content of the “scene.” What she did was certainly entertaining, but it neglected something fundamental. Read more…

Half the Man I Used to Be

October 15th, 2010 No comments

I’m not as talented as I used to be.

Before anybody think that I say this in search of compliments and pats on the back, let me add this: I’m happy to know this.

I came home after a challenging class at The Actors Center one day and was forced to concede that I couldn’t do exercises I once was able to. But rather that get down about it, I was elated that I was back at work on the craft, ready to challenge myself anew. For years I spent my time doing exactly that which I was already capable of doing. In the process I made a few bucks and padded my credits, but in truth I was growing smaller and smaller as an artist, as a creative, and as a man. And it all became clear to me during a five minute exercise in front of my peers. Read more…